This story has a beginning in the rain. One of my friends recently told me that rain has a special meaning for our senses. Because in the rain, we listen. We don't want to feel neither smell and we rather close our eyes. There is just a calm coming down to our eyelids and the tone in a background, the sound of the rain. This is the moment when time stops, and the radio begins.
This exact moment all of a sudden broke the reality on one usual day on a usual gas station somewhere in between nowhere and East Berlin. I was sitting in a car with Pattie, and she had just released her seatbelts to go out.
- I'll be back in a minute- said she, hastily jumping out of a car. I remained alone, in a cozy box of sedan. The rain was falling above my head, stopping and rumbling on my metal protection of a roof. Then I noticed the radio. It was there waiting for me to allow my mind to sink in muffled tones once I get a chance to stop the time. There were some adverts recommending various medicines for cough and fever, as usually in winter and supplements of a diet for those who continously endure in their personal improvement. Sometimes the adverts were stopping to take a breath and get replaced for a moment by cheesy songs from eighties, so-called 'greates hits'. I was always wondering who is responsible for this choice and who the heck gets paid for composing a 'greatest hits' playlist for a radio. In the age of persistent unemployment, that person is certainly born on Sunday. But then the adverts came back, and back again, and I thought about Mia Farrow, recording a radio advert in Woody Allen's movie. In 'Radio Days' the radio is not really a window to the world. It's a companion. It's a witness of a general activity called life, with all its' upside-downs, all what changes and all what remains, still there, waiting for a moment. You can laugh but there, in the car, I thought that there used to be a time when adverts about cough medicines meant something. Such a thought can change a perspective of miles, and how about a simple reality of a locked car?
In 'Some Like It Hot' Tony Curtis tells Marylin Monroe that radio is like taking a deaf man to a concert. It took me years to understand what he means, coming back to this scene on and on, even though it was just a cinical line without any deeper conclusions. Today I would say that listening to the radio is like watching only one side of your hand. And so on, watching only one side while forgetting about the second one can be much more exciting.



